Modernist villa

Constructed on a landscaped plot of approximately 1,100 m², the house spans 170 m² of living space over two levels.

The main level features a fluid layout divided into two cores: one for the living areas and the other for the sleeping quarters.

The living spaces include a living room, dining room, and kitchen, all offering panoramic views of the Mediterranean and a privileged connection to the site. The facade of the living area is highlighted by a long terrace leading to a loggia.

The sleeping area comprises three bedrooms, including a master suite with a bathroom and dressing room, two children’s bedrooms, one with a shower room and the other with a washbasin. This level also features an additional shower and separate toilet.

The lower level includes two bedrooms, a shower room, independent toilet, and ancillary spaces. With direct access to the garden, this floor can function independently or be dedicated to guests.

Outside, the landscaped garden, arranged in terraces, follows the Mediterranean tradition. Local stone steps connect the various outdoor areas: the roof terrace, loggia, terrace, infinity pool, and garden.

The property also includes a carport, a 25 m² garage, and additional storage spaces.

Located in Le Lavandou, just minutes from the town center, the property benefits from proximity to all amenities while enjoying a calm and preserved natural environment. A discreet path provides direct access to the coastal trail and the sea, offering a variety of outdoor activities.

Hyères and Toulon-Hyères Airport are a 30-minute drive away.

The culmination of research into “the architecture of disappearance,” a constructive approach developed by Jean Aubert and his associate André Lefèvre-Devaux in opposition to the excesses of the neo-Provençal model, this villa places the building at the service of the landscape, rather than the other way around.

Due to the steep slope of the land, significant retaining work was required to seamlessly integrate the house into the site, minimizing its impact on the surroundings. Its structure anchored in the topography, the terraced garden, the vegetated roof terrace, and the use of local stone (Bormes stone) all contribute to blending the architecture into its environment.

While the architectural design is distinguished by its assertive rationality, it remains deeply sensitive. Clean lines, legible volumes, and raw concrete are paired with the precision of living space layouts, the finesse of railings, the geometry of columns, the design of openings, and the continuity of materials.

The open living spaces are organized around a light-filled living room and a fireplace created by ceramicist Georges Jouve, extended by a terrace directly connected to the marine horizon. The seamless transition between indoor and outdoor spaces immerses the house in its ever-changing natural environment, offering an exceptional immersive experience.

Over time, the property has undergone additional enhancements, including the creation of terraces and a pool by architect Bernard Oberer. These additions extend the lines of the house in a contemporary interpretation without altering its original signature.

For many years, it served as the family home of the architect, lending the site an intimate and embodied dimension of his work.

In the tradition of iconic works along the Var coast, this villa stands as a precious testament to the evolution of modernism in dialogue with the Mediterranean during the second half of the 20th century. The villa is one of the rare properties built directly overlooking the sea in this now highly sought-after area. It represents a unique opportunity for lovers of modern architecture and exceptional sites.

Born in 1926 and passed away in 2005, Jean Aubert studied in Paris at the École nationale supérieure des Beaux-Arts (Pontremoli Leconte studio). In 1956, after obtaining his diploma, he settled in Le Lavandou and partnered with André Lefèvre-Devaux, whom he met during his studies.

Their collaboration gave rise to a new constructive approach, “the architecture of disappearance,” in response to the urbanization of Var, marked by the neo-Provençal model. This theory involved developing an architectural model that combined contemporary living with respect for natural spaces. Notable examples of this vision include the Gaou Bénat subdivision and the village of Les Fourches. Their partnership ended in 1980.

He notably served as the architect for the city of Valenciennes before moving to Toulon, where he partnered with Ampollini and his son Gilles Aubert. Together, they completed numerous private projects, including villas and clinics.