{"id":114920,"date":"2025-06-20T14:13:26","date_gmt":"2025-06-20T12:13:26","guid":{"rendered":"https:\/\/www.architecturedecollection.fr\/?p=114920"},"modified":"2025-11-12T18:00:04","modified_gmt":"2025-11-12T17:00:04","slug":"publication-of-the-model-a-model-object-between-art-and-architecture-by-marie-ange-brayer-editions-hyx","status":"publish","type":"post","link":"https:\/\/www.architecturedecollection.fr\/en\/publication-of-the-model-a-model-object-between-art-and-architecture-by-marie-ange-brayer-editions-hyx\/","title":{"rendered":"“The model : A model object ? Between art and architecture” by Marie-Ange Brayer, published by \u00c9ditions HYX"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default” el_class=”med”]Far more than a simple miniature representation, the architectural model has established itself as a terrain for experimentation and innovation throughout the 20th century and up to the present day. In her latest book, historian Marie-Ange Brayer explores this object, which continually redefines the boundaries between art and architecture.[\/vc_column_text][divider line_type=”No Line” custom_height=”15″][image_with_animation image_url=”114925″ image_size=”full” max_width=”100%” max_width_mobile=”default” animation_type=”entrance” animation=”None” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default”][vc_column_text css=”” text_direction=”default” el_class=”small”]\n

\u00a9 Frac Centre-Val de Loire, Alisa Andrasek
\n\u00a9 Centre Pompidou, Mnam-CCI, Kasimir Mal\u00e9vitch<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”15″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default” el_class=”med”]From the Avant-Garde to radical architecture
\n<\/strong>[\/vc_column_text][vc_column_text css=”” text_direction=”default”]From the early 20th-century avant-garde movements, the model evolved beyond its role as a mere representational tool. Figures like Malevich and Frederick Kiesler transformed it into a fully-fledged work of art. This connection with the artistic sphere continued after World War II with the sculptural architecture movement, and later with the radical architecture of the 1960s and 1970s, which turned the model into a conceptual and performative tool.[\/vc_column_text][divider line_type=”No Line” custom_height=”30″][image_with_animation image_url=”114929″ image_size=”full” max_width=”100%” max_width_mobile=”default” animation_type=”entrance” animation=”None” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default”][vc_column_text css=”” text_direction=”default” el_class=”small”]\n

\u00a9 Casa museo di Giacomo Balla, \u00a9 Giacomo Balla, rights reserved<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”30″][vc_column_text css=”” text_direction=”default” el_class=”med”]Between art, architecture et design<\/b>[\/vc_column_text][vc_column_text css=”” text_direction=”default”]Marie-Ange Brayer examines the model\u2019s ability to transcend disciplines, acting as a mutable object that blurs the lines between furniture, sculpture, and architecture. Its miniaturization allows it to oscillate between a measuring instrument and a plastic object. Artists like Olafur Eliasson and Andrea Branzi reimagine the model as a means to contemplate the complexity of the world.[\/vc_column_text][divider line_type=”No Line” custom_height=”30″][vc_column_text css=”” text_direction=”default” el_class=”med”]Between art, architecture, and design<\/b>[\/vc_column_text][vc_column_text css=”” text_direction=”default”]Marie-Ange Brayer examines the model\u2019s ability to transcend disciplines, acting as a mutable object that blurs the lines between furniture, sculpture, and architecture. Its miniaturization allows it to oscillate between a measuring instrument and a plastic object. Artists like Olafur Eliasson and Andrea Branzi reimagine the model as a means to contemplate the complexity of the world.[\/vc_column_text][divider line_type=”No Line” custom_height=”30″][image_with_animation image_url=”114936″ image_size=”full” max_width=”100%” max_width_mobile=”default” animation_type=”entrance” animation=”None” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default”][vc_column_text css=”” text_direction=”default” el_class=”small”]\n

\u00a9 Gehry Partners\/LLP<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”30″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”114932″ image_size=”full” max_width=”100%” max_width_mobile=”default” animation_type=”entrance” animation=”None” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default”][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default” el_class=”med”]Marie-Ange Brayer <\/b>[\/vc_column_text][vc_column_text css=”” text_direction=”default”]The emergence and refinement of digital technologies have transformed the status of the model. Once used merely to visualize a project, it has become an evolving prototype that questions the boundary between the physical object and its representation. The author reveals the miniature universe of the model, comparable to a toy in its small scale, capturing a fragment of the world and offering a new way to approach creation at the intersection of art and architecture.<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”30″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column 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desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/6″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”1px” column_border_color=”#e2e2e2″ column_border_style=”solid” column_padding_type=”default” gradient_type=”default”][divider line_type=”No Line” custom_height=”15″][vc_column_text css=”” text_direction=”default”]The Model : A Model Object ?
\nBetween Art and Architecture<\/em><\/strong>
\nMarie-Ange Brayer<\/p>\n

\u00c9ditions HYX<\/strong><\/a>
\nFormat 16×24
\nPaperback, 528 pages in full color, 318 illustrations
\nISBN 978-2-37382-023-2
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